[ OBJ-003 / OBJECT / AI CONCEPT ]
RAYBAN ARMCHAIR · ROCKY × DEL VECCHIO
Monaco edition. Icon chair Ray-Ban × A$AP Rocky × Leonardo Del Vecchio. 2026 editorial concept, AI image generation, metal frame + mirrored lens as backrest.
AI CONCEPT · 2026
[ 01 ]
The idea
An icon armchair crossing three territories: Ray-Ban's formal vocabulary (metal frame, mirrored lens, aviator geometry), A$AP Rocky's street sensibility as AWGE collaborator, and Leonardo Del Vecchio's Italian industrial legacy (Luxottica, EssilorLuxottica).
The backrest is an oversized Wayfarer lens, reflective, turned into a mirror of the room. The frame is burnished steel in a "Monaco Edition" finish (matte gold-bronze), assembled like a pair of glasses: no exposed screws, bayonet hinges.
[ 02 ]
References
From the AWGE × PUMA collab (Rocky 2017) for brand-on-brand grammar applied to wearables. From Marcel Wanders × Cassina for the iconographic fetish-armchair. From the Ray-Ban archive (Wayfarer 1956, Aviator 1937) for the geometry the backrest inherits.
Declared cultural reference: Achille Castiglioni for "design-as-quotation" — the object that is also commentary on its own world.
[ 03 ]
Concept specs
- BACKREST
- Oversized mirrored Wayfarer lens
- FRAME
- Burnished steel, matte gold-bronze finish
- SEAT
- Black nappa leather, double-needle stitching
- EDITION
- Monaco — limited to 50
- USE
- Lounge, design hotels, concept stores
[ 04 ]
What it opens
It is the first piece of a hypothetical micro-series of cross-brand editions — Armchair × Sinner, Armchair × Travis Scott, Scarpiera × Kobe × Nike, Chromebeard × Pauls Brothers. The logic is the same: a fetish object built on the code of two non-overlapping brands.
The long-term idea is to show that furniture design, post-2025, can dialogue with sneaker culture and fashion drops without losing its typological dignity.
