I design yacht interiors and exteriors at Alberto Mancini Yachts, Monaco, working on hulls between 30 and 60 metres for Mangusta / Overmarine, Baglietto, Tankoa, Sanlorenzo and selected private programmes. Around fifteen of these are currently in production, five already delivered.
The practice integrates AI-assisted visualisation directly into the design workflow — Rhino + V-Ray, Unreal Engine, generative tools used to accelerate iteration and sharpen client communication, never to replace the design decision.
In parallel I develop author studies — independent yacht concepts outside any commission — and object design work on furniture and lifestyle pieces. Different scales, single method.
My work is not about designing yachts as isolated products, but about building complete worlds where exterior form, interior atmosphere, and daily life move as one. AI is not a shortcut, it is a design accelerator — clearer alignment, less wasted energy, more time on quality.
Selected work for Alberto Mancini Yachts — Mangusta Oceano, Mangusta GranSport, custom 132. Concept development, layout, materials, full-CGI visualisation. 30 — 60 m programmes.









Independent yacht concepts developed outside any commission — a continuous benchmark for the studio's exterior language. Two studies are shown: a 56-metre livable sculpture and a fast cruiser exploring monolithic surfacing.

A compact dayboat exploring continuous brushed-aluminium surfacing — single-volume hull, integrated superstructure, no applied detailing. Light reads on the surface, not on the trim.
The exterior language is built around three constraints: one material, one continuous surface, one moving silhouette. Performance posture is implied by stance, not by graphics.






Furniture and lifestyle pieces. Same method, different scale — from a 60-metre hull to a single modular unit. Materials, proportions, and the way an object is used drive every decision before form.
A modular sofa system built on a single repeating unit — green bouclé volumes interlocking through soft puzzle joints, paired with mirror-polished aluminium connectors that double as side tables and feet.
One geometry, infinite compositions. The system expands from a single armchair to a full lounge platform, redrawing the room each time it is rearranged. Photographed inside an Italian frescoed palazzo to test the object against its hardest context — ornate volumes, persian rugs, herringbone parquet.








IED / IAAD — foundations, discipline, first vision.
Alberto Mancini — where dreams became responsibility.
Everything else is still open water. I am not looking for the next safe harbour, but for the route that will allow me to build my own world — one project, one risk, and one impossible horizon at a time.
Education and work experience. Multidisciplinary designer working across luxury yacht interiors, high-end visualisation, and AI-assisted creative direction. Languages — Italian (native), English (B2 TOEIC), French (basic).